mh_eng.htm

Emoyeni´s Duchess Dot Com S49179/2007

Kumla Brukshundklubb 2009-04-05
Made by: Susanne Ragnar
Completed test: YES Gunshot proof: YES
	1	2	3	4	5
1a. CONTACT Greeting	Rejects contact - growls and/or trying to bite	Avoiding contact - Shy and redrawing	Accepting contact - not engaged but does not redraw	Takes contact self or when handler takes contact. Balanced.	Intensive contact behaviour against the test leader, can jump and whine.
1b. CONTACT Co-operation	Does not follow despite several attempts to allure	Follows reluctant. Strives towards handler or different direction	Follows the whole distance, are neutral.	Follows willingly. Does engage.	Follows willingly. Showing intense interest towards test leader, jumps, whine.
1c. CONTACT Handling	Rejects. Growls and/or trying to bite	Avoiding, redrawing, seeking support by the handler	Accepting. Are neutral.	Accepting. Answering with contact behaviour.	Accepting. Intensive contact behaviour towards test leader.
2a. PLAYING 1 Disposition to play	Does not play	Does not play but shows interest	Plays - starts slowly but becomes active	Playing active, starts quickly	Playing very active, starts very quickly.
2b. PLAYING 1 Catching/holding/ grabbing object	Does not grab	Doesn't grab but sniffs on the object	Grabbing carefully or nipping the object	Grabbing directly with full mouth	Grabbing directly, Biting the object
2c. PLAYING 1 Tug-of-war object	Does not bite	Bites carefully, releases it's hold, holding on again, don't stride	Bites - strides, releases it's hold, bites again	Grab directly with full mouth, strides until test leader releasing the object	Grab directly with full mouth, tugs, stride until test leader releasing the object
3a. HUNTING Chasing (two times)	Doesn't start	Does start but interrupt	Does start or run slowly. Can increase speed. Goes all the way.	Starts with high speed, targeted - slows down at the prey	Starts directly with high speed. Runs past the prey. Can turn around.
3b. HUNTING Catching/holding/ grabbing (two times)	Ignores the prey/ doesn't approach the prey	Doesn't grab but sniffs on the object	Grabs doubtfully or with time delay	Grabs directly, releases the object	Grabs directly, holding on for at least 3 seconds
4. ACTIVITY	Are inattentive, uninterested, inactive	Are attentive and calm - stands, sits or laying down	Are attentive and mostly calm. Occasional raising of activity.	Are attentive, a bit restless. Strolling after a while	Are restless. Changing activity quickly
5a. PLAYING AT A DISTANCE Interest	Doesn't interest in figurant. Uninterested.	Control, Interruptions occurs.	Interested, follows the figurant without interruptions.	Interested, wants to go. Occasional intentions to start.	Very interested. Wants to go. Repeatedly intentions to start.
5b. PLAYING AT A DISTANCE Threat/aggressive- ness	No barking or growling.	Occasional barks and/or growling during the first part of the moment	Occasional barks and/or growling during the first and second part of the moment	Shows threat- behaviour, barks and growling during the first part of the moment	Shows threat- behaviour, barks and growling during the first and second part of the moment
5c. PLAYING AT A DISTANCE Curiosity	Doesn't approach figurant without help. Uninterested.	Approach when figurant talks and plays boll with an object	Approach towards the hidden but speaking figurant	Approach figurant with the a low body and/or with time delay	Approach figurant with no help.
5d. PLAYING AT A DISTANCE Disposition to play	Doesn't show any interest	Doesn't play but shows interest	Plays, grabbing carefully, releasing, doesn't stride	Grab directly. Can release and take again, Strides	Grab directly with full mouth. Strides and doesn't release
5e. PLAYING AT A DISTANCE Co-operation	Doesn't show any interest	Becoming active but does interrupt	Are active when figurant is active	Are active with the figurant interest also toward when figurant is passive	Urge passive figurant to continue the play
6a. SURPRISE Fear	Stops. Short stop	Crouch down and stops	Does an evasive action without turning away the look	Escapes no more than 5 meters	Escapes more than 5 meters
6b. SURPRISE Threat/aggressive- ness	Shows no threat behaviour	Show occasional threat behaviours	Shows several threat behaviours during a longer period	Shows several threat behaviours and some attack	Shows threat behaviours and attacks which can be finished with a bite.
6c. SURPRISE Curiosity	Approach when handler are laying down the overall / don't approach	Approach when handler are sitting down and speaking with the overall - alluring the dog.	Approach the overall when handler are standing beside	Approach the overall when the handler has gone half the distance	Approach the overall without any help
6d. SURPRISE Remaining fear	No change of speed or any evasive action	A little curve, or a little change of tempo, or looking away sometimes during the passages	A curve, or a change of tempo at the first passage. Less deviation at the second passage	A curve, or a change of tempo during at least two passages without reduced intensity between moments	Shows a great deal of fear or increased fear after all passages
6e. SURPRISE Remaining interest	No interest for the overall	Stops. Smelling/ looking at the overall at one occasion	Stops. Smelling/ looking at the overall at least during two occasions	Bites / play against the overall. Interest reduces gradually	Bites / play with the overall during two or more passages
7a. SOUND SENSIBILITY Fear	Stops. Short stop	Crouch down and stops	Does an evasive action without turning away the look	Escapes no more than 5 meters	Escapes more than 5 meters
7b. SOUND SENSIBILITY Curiosity	Doesn't approach	Approach when handler are sitting down and speaking with the rattle - alluring the dog	Approach the rattle when the handler stands beside it.	Approach when the handler has gone half the distance	Approach the rattle without help
7c. SOUND SENSIBILITY Remaining fear	No change of speed or any evasive action	A little curve, or a little change of tempo, or looking away sometimes during the passages.	A curve, or a change of tempo at the first passage. Less deviation at the second passage.	A curve, or a change of tempo during at least two passages without reduced intensity between moments.	Shows a great deal of fear or increased fear after all passages.
7d. SOUND SENSIBILITY Remaining interest	No interest for the source of sound.	Stops. Smelling/ looking at the source of sound at one occasion	Stops. Smelling/ looking at the source of sound at least during two occasions	Bites / play against rattle. Interest reduces gradually	Bites / play with the rattle two or more passages.
8a. GHOSTS Threat/aggressive- ness	Shows no threat behaviour	Show occasional threat behaviours	Shows several threat behaviours during a longer period.	Shows several threat behaviours and some attack	Shows threat behaviours and several attacks
8b. GHOSTS Control	Occasional controls afterwards no interest/cuts off	Looks at the ghost now and then	Controls/acts against the ghosts. Long interruptions	Controls/acts against both the ghosts. Shorter interruptions	Controls/acts against both the ghosts during the whole moment
8c. GHOSTS Fear	Stays mainly in front of or beside the handler	Stays mainly in front of or beside the handler. Some adjustment of distance	Stays mainly in front of, or beside the handler. Oscillate between start to escape and control	Stays mainly behind the handler. Oscillate between start to escape and control	Escapes more than the length of the lead. Can try to get support from audience or leaving the place
8d. GHOSTS Curiosity	Approaches when handler has taken the disguise off the figurant	Approaches when handler are talking to figurant/alluring the dog	Approach the ghost when handler stands beside	Approach the ghost when handler has gone half the distance	Approach the ghost without any help
8e. GHOSTS Contact	Rejects or trying to avoid contact	Accepting contact. Not engaged but doesn’t redraw	Returning contact when figurant bids	Takes contact self. Balanced	Intensive contact behaviour against the figurant, can jump and whine
9a. PLAYING 2 Disposition to play	Does not play	Does not play but shows interest	Plays – starts slowly but becomes active	Playing active, starts quickly	Playing very active, starts very quickly
9b. PLAYING 2 Catching/holding/ grabbing object	Does not grab	Doesn't grab but sniffs on the object	Grabbing carefully or nipping the object	Grabbing directly with full mouth	Grabbing directly, Biting the object
10. SHOTS	Shows no affects. Quick control and then totally unaffected	Controls that disappear after the first shots. Breaks but takes up started activity	Decreasing reactions on the shots/direct interest toward the marksman/return back to playing/passivity	Interrupts activity/gets locked with the marksman. Can't go back to playing/passivity	Remaining anxiety after several shots. Interrupts after obvious tendency to escape/renounce shots.